Having read Austenland a good four or five times and loved it, I was hesitant
to read the sequel. The sequel is never as good as the original, right? But
during this year’s Summer Reading Program at my local library, I’m reading
pretty much anything and everything, especially
stuff I’ve been putting off or have been nervous about for one reason or
another. And this read definitely paid off.
We return to Pembrook Park, and run
into some of the same characters – Mrs. Wattlesbrook, Colonel Andrews, Miss
Charming, and Sir John. But there are plenty of new characters to keep you
interested, and the plot is completely new, fresh, and interesting. I was afraid
this was simply going to be Austenland
repackaged – you know, the same set-up, the same run-ins and climaxes. I
couldn’t have been more wrong.
While Austenland was a straight up “romcom,” this had so much more going
on. Things have gone wrong in the Pembrook empire. But why? Why have Pembrook
Park’s sister estates closed? And are all the guests what they seem? Recently
divorced Charlotte Kinder, was aiming for a peaceful vacation all her own.
Instead she drops into the middle of a dark drama she wasn’t expecting – maybe
even a potential murder. The only problem? There’s no victim. As she tries to
sort out reality from the game that is Austenland, she becomes more confused,
even doubting her own senses.
I was surprised to find that I
ended up enjoying this one even more than Austenland.
It was a longer book, covering a shorter amount of time, and felt much less
rushed. The plot was much meatier (although I’ve always loved mysteries, so I
might be prejudiced) and drew me in immediately. The characters were fleshed
out better, and there was even more backstory for the characters from the first
book. And the romance, in my opinion, was less cliché and more natural…but that
could be argued. I liked it better.
I’m hesitant to say too much. I
don’t want to give anything away, but the plot was dark and twisty, with scenes
of action that kept everything really gripping. It had me up past 1am, one
night. Like Austenland, there was no
cursing, some innuendo, and quite a bit of kissing, but nothing graphic. And
best of all, it was just as funny. In spite of the darkness, Shannon Hale
managed to keep things light whenever possible, and I found myself chuckling
throughout. It had a tidy ending, but not quite as ridiculously dramatic as Austenland’s. I found this ending more plausible.
If you like mysteries in
period-settings (granted, this is a modern-day imitation of a period setting),
that don’t get too heavy and have just a smattering of romance, this book is
definitely worth a try. You’ll get the most out of it if you’ve read Austenland, but I liked it even better.
If you hated Austenland, don’t bother, because it’s written in the same voice,
with a similar self-proclaimed-damaged-goods heroine. That said, Charlotte is very different from Jane, and I found
her more confident, steady, and enjoyable to read. And by the end, she had
grown much more than I felt Jane did.
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