The first time I tried to read this book I was disappointed. Not because it was a disappointing book itself exactly, but because my expectations and ideas of what it was were all wrong. I got distracted with another book, and set it aside for when I would be in a better frame of mind. But it was recommended to me by someone who has earned my trust with books (looking at you, Carrie), and she also said it took her two tries. Because of this, and because I didn’t dislike it, I was just surprised by it, I decided to give it another try.
It sounds interesting enough.
Here’s the cover description, for anyone who may not know this book.
Narrated
by Death, Markus Zusak’s groundbreaking new novel is the story of Liesel
Meminger, a young foster girl living outside of Munich in Nazi Germany. Liesel
scratches out a meager existence for herself by stealing when she discovers
something she can’t resist – books. Soon she is stealing books from Nazi
book-burnings, the mayor’s wife’s library, wherever they are to be found. With
the help of her accordion playing foster father, Liesel learns to read and
shares her stolen books with neighbors during bombing raids, as well as with
the Jewish man hidden in her basement. Markus Zusak…has crafted an
unforgettable novel about the ability of books to feed the soul.
And after two back-to-back
disappointing, DNF’s (did-not-finish) from my reading list, I was absolutely
determined I would finish this story. I couldn’t be happier I did. If I may
corrupt a quote from another book, I fell in love with The Book Thief slowly, and then all at once.
The narration by Death, is not at
all depressing or overpowering. He is tired, jaded, a bit self-righteous and
snarky at times, but his moments of tenderness are what stuck in my mind. And
this isn’t really Death’s story anyway. He’s simply telling the story of one of
the humans whose life continually intersected with his in WWII-era Germany.
Liesel has lost so much by the time
she comes to her foster parents. They take in a scared and traumatized little
girl, and slowly she learns the feeling of love again. Her foster father was an
incredibly powerful character. The time and love he spent on that little girl
was touching. She truly was his daughter. And even her harsh and demanding
foster mother constantly showed her love through her actions to Liesel.
I was about a third of the way into
the book before I finally got truly hooked. The adventures and crises that she
goes through with the boy next door helped break some of the tension of the war
and the persecution of the Jews. From street soccer and track meets, to running
with a gang of thieves, they have moments of joy and even at times the
semblance of a normal childhood.
But after finishing this book, it
didn’t seem to me that this book was even really about Liesel as a character.
Not in the way a book like Anne of Green
Gables, is truly about Anne. In some ways it seemed more like the story of
a time and a way of life, an entire group of people, and the struggles the war
brought to Germany. Liesel was living in a story. But the story was more than
Liesel. It was more than falling in love with a main character and caring about what happens to them, or simply following behind them as they live their story. It was living her life with her. You walk in Liesel's shoes, and live her life as she lived it.
The writing was excellent. I know
some people feel that Zusak’s prose was too flowery and metaphors and
descriptions at times made no sense, but it worked for me. It didn’t feel
forced, and at times it lent extra drama to the setting, at times it softened
it. The only thing that was hard for me, was frequently throughout the story,
Zusak stops the normal narration flow, and adds a comment/fact/list in the
middle of the page IN BIG BOLD LETTERS,
before returning to the story.
SOME KEY FACTS
1. This was very jarring to me.
2. It felt completely unnecessary.
3. I liked the book anyway.
I have to say, this book is definitely not for children. It’s YA and
up, simply because of the violence and gore, the language (which was more than
I like), and the subject matters dealt with (thievery, concentration camps,
persecution, death, etc.).
I can’t assume everyone will like
this book, but I have to say I think it’s definitely one you should at least
try. It’s a perspective on the war that I’d never read before (and when I say
this I mean the perspective of a young German girl – not Death) and never even
really thought about. And beyond that, it’s just a darn good story, with an
excellent, though somewhat sad ending.
There were many quotes I loved in
this book. Here are just a few.
When she came to write
her story, she would wonder exactly when the books and the words started to
mean not just something, but everything.
She was the book thief
without the words. Trust me, though, the words were on their way, and when they
arrived, Liesel would hold them in her hands like the clouds, and she would
wring them out like the rain.
Sometimes she sat
against the wall, longing for the warm finger of paint to wander just once more
down the side of her nose, or to watch the sandpaper texture of her papa’s
hands. If only she could be so oblivious again, to feel such love without
knowing it, mistaking it for laughter and bread with only the scent of jam
spread out on top of it. It was the best time of her life.
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